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William R Hackman's avatar

Aron was brilliant intellectual. But he kicked me out of his office at L'Express when I called Heidegger a Nazi. (Well, let's just say he abruptly ended what had until that moment been a cordial conversation. I was working on a dissertation about German intellectual exiles. I was interested in a forgotten figure named Paul-Ludiwg Landsberg. We talked for a bit about various figures. Aron said that he believed that Heidegger was the most brilliant of the lot. I dissented. He asked why. I switched to English and explained my preference for Adorno. Then I repeated something Hbaermas had said a few weeks earlier in a seminar I attended—that Heidegger's distinction between small-b "being" and capital-B "Being" hinted at his barely concealed authoritarianism. Suddenly, our conversation was over.)

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Arthur Goldhammer's avatar

Branko, your characterization of the book's style and flaws is entirely just. There is an English abridgment (I am responsible for the cuts, but someone else did the translation). Abridging the text was both easy and difficult: easy, because as you say he included much trivial and extraneous material, but difficult, because it was hard to assemble a coherent and persuasive text from the pieces that remained. It was not a well-judged effort. Aron simply couldn't write about himself with the incisiveness he brought to other thinkers.

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